Art, Motherhood & Creative Health
The Holding Timepiece is an evolving artwork by Lisa Creagh that challenges conventional ways of measuring time. Inspired by Cosmatesque geometry and developed through glass sculpture, photography and 3D animation, it visualises maternal time as something that grows rather than passes. Created over nearly a decade, the Timepiece is now central to Holding Time’s development of an immersive virtual reality intervention designed to support mothers experiencing neonatal intensive care.
I’ve come to realise why it was hard at times in my breastfeeding journey and a lot of this relating to being neurodivergent. As we see an increase in awareness around hidden disabilities, I hope other mums can feel confident to seek help if they’re finding it hard to breastfeed/parent a child with additional needs.
Stones is a five-minute film by Lisa Creagh reflecting on 25 years of living with endometriosis and severe menstrual pain. Created as the first of a two-part work, the film uses personal memory to explore chronic illness, treatment, menopause and resilience. It was made in collaboration with Creagh’s daughter and acknowledges the pioneering surgery that made motherhood possible.
Ablaze in Bradford explores the ideas, collaborations and creative development behind the Holding Time Project’s ambitious Bradford programme. Artist Lisa Creagh describes how an encounter with prehistoric maternal figurines in Malta inspired the monumental Holding Time Chair, a stone sculpture connecting public art with mothers’ recorded stories. Combining photographic portraits, creative writing, exhibitions and outdoor audio trails, the project brings breastfeeding and maternal wellbeing into Bradford’s parks, hospitals and communities.
In 2018, Holding Time partnered with ONCA Gallery in Brighton to test the idea of a Breastfeeding Hub—a welcoming space for mothers’ voices, interviews, and conversations about the cultural and structural barriers to breastfeeding.
