Thoughts from ONCA

Over the past few weeks I have been at the gallery every day. Sometimes I just sat on the beanbags and enjoyed the quiet. Other days I had others to join me: Lucila came almost every day. Many mothers came with their children. But also quite a few fathers. And others who had never had children; young women interested in the subject with their boyfriends, mothers whose babies had grown, mothers who had not breastfed, mothers who were still breastfeeding their four year old, mothers with newborns still struggling with the adjustment to motherhood.

Why Now?

In the UK, breastfeeding has been recognised as having a major role to play in public health and in reducing health inequalities, and has been translated into policy programmes such as the Baby Friendly Initiative that accredits health care facilities that adopt recognised best practice standards for breastfeeding. However, less than 1% of babies are exclusively breastfed for the first six months of life (Bolling et al., 2007). Not only that, a comprehensive review series on breastfeeding in The Lancet, published on 30 January this year, gave a clear signal of what is needed to be done and pointed at Britain as having “the worst breastfeeding rates in the world”.

Building Belonging

The arguments for breastfeeding in terms of health are already won, but breastfeeding statistics remain impossibly low in the UK. How can this be? Because the barriers to breastfeeding are cultural, not medical but the majority of information about breastfeeding comes from the medical community. This viewpoint says that women should breastfeed, without acknowledging the personal and emotional struggles involved in doing so.

Art, Motherhood and the Cultural Invisibility of Breastfeeding

Artist Lisa Creagh joins Christiane Monarchi, founder and editor of Photomonitor, for an in-depth conversation about the origins and development of the Holding Time Project. Exploring photography, feminism, maternal time and the cultural invisibility of breastfeeding, the discussion reveals how personal experiences of motherhood inspired an ambitious collaborative artwork. From animated portraits and glass timepieces to mothers’ recorded stories, the conversation examines how art can challenge social conventions and create new ways of representing maternal experience.